The Conjuring 2 June 13 Already at (The Conjuring 2) DIRECTED FOR: James Wan point of its still short career it does not seem reasonable to reject, for clear, that this Malay film maker is interested in the movies of terror and, more in particular, the phantasmagoric one. He harvested its first victory with its prime opera, the surprising one and turbadora Saw (2004), which of malignant spirits does not have anything unless we speak about the Jigsaw soul; then it was praised by a revenge movie viejuno with included threatened family, Death Sentence (2007), and finally, an entertaining history on damned dolls and a quite particular bogey with Dead Silence (2010), in which its last sequence was trying to repeat the surprising Saw formula.
But it was from ill-fated Insidious (2010), whose first consequence Insidious: Chapter 2 (2013), also was directed by him with identical results, when Wan began its cycle on parents families with young The Conjuring 2 children that are harassed by diabolical and slightly friendly bogeys in their own hearths, and The Conjuring (2013) had been its worthiest sample until, with the interval of the decent action hipervitaminada from Fast and Furious 7 (2015), in which the family concept in danger is fundamental, The Conjuring 2 has come: The Enfield Poltergeist, a good example of that the malignant spirits and this director take to thousand marvels.
The demonólogos Ed and Lorraine Warren, time, after facing to the evil that was martyring the Perron in its farm of Rhode Island at the beginning of the seventies of last century, turn out to be urged to travel to the north of London and to The Conjuring 2 penetrate into the mystery of a humble residence, where one of the daughters of the family monoparental that there lives suffers the harassment of a dangerous poltergeist. Of entry, it does not seem that the movie is very different from many previous others for this proposition, but the scriptwriters Carey Hayes and Chad Hayes, authors of the libretto of the first part, together with David Johnson and the same Wan, they manage them to introduce elements and implications of major interest.
From the beginning of this nightmare we realize the above mentioned, and the most artful film fans will feel that they please them promptly with the very same plane of opening, which will make them open the astonishment mouth. Also, the biggest The Conjuring 2 interest resides also in that the case has more worrying ramifications for our demonólogos couple, and not only it is a question of a foreign Watch The Conjuring 2 Online evil that is seen forced to fight.
In The Conjuring 2 we perceive to Wan more in form that never, with a workmanship in the visual planning of openwork superior to its custom, and a big aim to provoke a constant feeling of unease, supported scene after scene, with scarce moments of mitigation and worthily propped up by the score of Joseph Bishara, a plane behind other, without the grandiloquences of the first movie, which were bringing it over more to the uncertain course and to the already seen earlier.
It is not a question of an extraordinary terror movie because Wan does not stop being who is, skillful anybody but never brilliantly, and the premise is not new by no means either. But its work here is over the average without discussion, and that is capable of removing the spectators in its seats it is already something that few works of the genre obtain. And not only that, since the composition of a pair of scenes, that of the test with water and that of the dark portrait, it is possible to consider to be brilliant, and it even puts us the spiky hairs.
The share-out in its set realizes an irreproachable work, be already the acquaintances Patrick Wilson and Vera Farmiga like the Warren, Frances O'Connor like anxious missis Hodgson, Simon McBurney like Grosse, the intermediary of the profession, etc. But almost none of them goes out of the set for the big door; the only one who stands out really is the jovencísima Madison Wolfe like poor Janet Hodgson, whose role was demanding just what has gone a long way with its interpretation.
In its against tiene some sound pitfalls that alter the spectators of artificial form and, as he was saying, a normalized plot and the limits and lacks of the proper Malay director. And, with everything, it is enough the animated and very respectable some offer us 133 minutes of ghostly terror.
The good horror parapsicológico exists. James Wan has demonstrated again. The new "whiz kid" of the genre of terror opens with a prologue almost perfect Records Warren: The case Enfield, which comes to form the second part of what was acclaimed The Conjuring. Although both tapes are seen of independent form without any problem, they can be compared and although they report different cases (both based on real facts), the Wan mastery is intact in both tapes.
The first age a notable tape of psychological terror that was helping to reaffirm the genre. This consequence rolled in London, is equal of well and even better in many aspects, on having developed a little more the matrimonial relation of Ed and Lorraine Warren (again very correctly interpreted by Patrick Wilson and Vera Farmiga). The couple actoral keeps on wasting the empathy that we already perceive in the previous movie, the predecessor The Conjuring: Records Warren.
The first thing that we appreciate like spectators (once again) is the good thing what James Wan is in the creation of terrifying ambience, the whole teacher of the style that has the completely internalized narrative resources of the genre. Saw, the first two Insidious and now two movies of Records Warren cost already to confirm that Wan is a talent of most valued for the world of the movies of contemporary terror.
The history now is framed in 1977 and centers on a famous case of parapsychology that took place in Enfield, in a northern quarter of London and that upset Peggy Harper (Frances O'Connor), a 40-year-old divorcée who was living with its four small children. It is true that the "supposed" demon was not necessary that it was interpreted and recreated as if it was a copy of a doll of Marilyn Manson but except this slightly less and pardonable disagreement the movie is very successful.
The setting of the London epoch of ends of the 70 is almost perfect. Up to the inclusion of London Calling de The Clash it is highly adapted to recreate where everything will happen and how it will present the personages to itself. Janet, the daughter of Peggy Harper, was the main victim of a demoniacal spirit that possessed an elder who was living in the same housing many years behind, according to the investigations that the Warren carried out.
Very well personified by the actress Madison Wolfe like Janet, thanks to its punishment and atonement in life, Wan plans the whole drawing of how the facts are happening, since the conflict (appearance) originates until the Warren turn out to be involved in the matter, traveling from the USA to help the family.
It obviates to say that it is one of the movies that, more that never, the flagstone is necessary to try to see in Original Version (subalumnus or not) but the dubbing. The sound-track maintains Joseph Bishara, of the original team of the first tape and in the photo work Don Burgess joins now, managing to promote the necessary ambience so that Wan prints the essential details on its work.
The record of details of the housing of the epoch, which it is possible to corroborate with original images in the credit qualifications there are the whole work of height and craft at production level. To that add the direction and the good actors.